The opening words of his 1989 masterpiece Do the Right Thing present his core message in two emphatic syllables: “Wake up!” Spike Lee’s America is a vibrant and provocative engagement not only with the work of a great filmmaker, but ...
Presents the lives of poor African-American men who make their subsistence wages by selling used goods on the streets of Greenwich Village in New York; and discusses how they interact with passing pedestrians, police officers, and each ...
He was beaten, arrested, and reviled by some but admired and revered by others. The Wrong Side of Murder Creek, winner of the 2009 Lillian Smith Book Award, is Bob Zellner’s larger-than-life story, and it was worth waiting for.
The Savvy Screenwriter demystifies the film industry and reveals what aspiring screenwriters really want and need to know.
1977. New York City. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. The only ones anyone will pay him to make? Little ones. Thirty seconds long.
"Makes MAD MEN look like SAD MEN"Welcome to the age of Anti-Social Media.Exchanging alcoholism for sex-addiction the controversial writer of underground cult classic DIARY OF AN OXYGEN THIEF retools his advertising skills to seduce women ...
... Christopher Cooke Charles ( Murray ) , Ashley Peldon ( Young Elizabeth ) , Daniel Gerroll ( Airport Cop ) , Barry Alexander Brown ( Bible Salesman ) , Spike Lee ( Nigel ) , Ron Eldard ( Mickey Bunce ) , Eleanor Mondale ( Attractive ...
Director : Spike Lee Screenplay : David Bar Katz and John Leguizamo Cinematography : Malik Hassan Sayeed Production Design : Wendell K. Harrington Editing : Barry Alexander Brown Cast : John Leguizamo 35 mm , color 1999 SUMMER OF SAM ...
... Truth or Dare, it's a shame Keshishian didn't have more to do with it. Sources say Robert Leacock, director of photography, and film editor Barry Alexander Brown actually put the film together, only to find themselves edited out ...
They had so little money, says Barry Alexander Brown, Lee's film editor, that the sound-track machine was taken away from them while they were trying to edit. When the film opened, in the summer of 1986, black audiences flocked to it.